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Leslie Campbell

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Focus Magazine Nov/Dec 2016

Sept/Oct 2016.2

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  1. until
    St Cecilia’s Day Musical Open House Bell ringers, accordions, choirs and a miniature organ Saturday, November 23, 9.00 am – 5.30 pm St Cecilia’s Day Musical Open House Every half hour there will be a new performance featured during Christ Church Cathedral’s annual all-day celebration in honour of the patron saint of music (St. Cecilia). Performers include the cathedral’s organists and bellringers, Victoria Children’s Choir, and St Christopher Singers. Admission by donation. Proceeds to support Music at Christ Church Cathedral. NEW: Kids’ organ-building workshops that integrate science, engineering and music as kids build a wooden tabletop organ as a team. These are small group sessions, so sign up in advance to secure your spot. (1 pm and 2 pm starts) admin@christchurchcathedral.bc.ca Note: the Christ Church Cathedral Christmas Bazaar is on the same day next door at Christ Church Cathedral School from 11.00 am to 2.00 pm PROGRAM 9:00 – 9:30 am Cathedral Guild of Bellringers: Climb the 71 steps to the Ringing Chamber to watch the ringers launch our musical day with traditional bell music with arcane names like “Grandsire”, Plain Bob” and Stedman.” 9:30 – 10:00 am Robert Dukarm: Stirring sounds of Handel, J.S. Bach and others to start the St Cecilia’s Day celebrations, fittingly on the Cathedral’s renowned Wolff organ 10:00 – 10:30 am St Christopher Singers entertain with a capella music from the Renaissance 10:30 – 11:00 am The Cathedral Choir launches its new CD 11:00 – 11:30 am KlaVIERhands: One piano with 88 keys + four hands with 20 fingers + 100 years of piano playing experience equals the dynamic duo KlaVIERhands. 11:30 am – 12:00 pm Anomaly & The Forager: Anomaly & The Forager team up to create ambient, spacey folk-rock with swirling lead guitar (Josh Duncan) and unique vocals (Bronwyn Proven). Presenting a mix of original songs and beloved favorites. 12:00 – 12:30 pm Quartetto Sorbetto: Ross Ingstrup (Soprano Saxophone); Todd Morgan (Alto Saxophone); Wendell Clanton (Tenor Saxophone); Karsten Brewka (Baritone Saxophone) presenting traditional and contemporary concert works drawn from the core Neo-romantic and Jazz-influenced repertoire, and ventures into Tango, Baroque and many other compositional languages 12:30 – 1:00 pm Victoria Children’s Choir 1:00 – 1:30 pm Cookeleidh: Blending the tunes of Ireland and Scotland, with a heaping spoonful of Maritime flavour, and a dash of Folk, is their recipe for a rollicking, modern day kitchen party! Dave Cook (12-String Guitar, Lead Vocals); Woody Wilson (Wooden Irish Flute, Bodhran); Kim Cook (Fiddle, Percussion); Tom Pogson (Electric Bass, Background Vocals) 1:30 – 2:00 pm Victoria Accordion Club Band: A St Cecilia’s Day favorite, the VAC Band will play a variety of music including popular contemporary songs and others taken from well-known musical productions. 2:00 – 2:30 pm Jorge Carrizales - piano 2:30 – 3:00 pm Music from Peru 3:00 – 3:30 pm Serena Jack - flute 3:30 – 4:15 pm New Page Country Dance Orchestra: Our kitchen party will serve up lively jigs, reels, and polkas, romantic airs, and old fashioned waltzes, from Dan Page’s tune books and beyond! 4:30 pm Choral Evensong for St Cecilia’s Day Susan Down Communications Officer Christ Church Cathedral 930 Burdett Ave, Victoria BC V8V 3G8 250.383.2714 x 228, cell 250-634-3696 www.christchurchcathedral.bc.ca
  2. until
    Books, Art and Tea ~ an afternoon with Briony Penn Please join us for a Saturday afternoon pre~Christmas Art and Book Sale in good company and conversation with Briony in Oak Bay, Victoria. Briony's Books and popular 'Mandelas' ~ '13 Moon Calendar', 'Garry Oak Meadow', 'Apple Wheel' and 'Four Seasons Series', all available in different size Ink on Watercolour Prints. Saturday, November 23, 2019 at 2:00 PM – 5:00 PM PST 350 King George Terrace, Oak Bay, Victoria (Please park on Sunny Lane)
  3. Addicts: Why don’t they just stop using so they would stop dying? Wednesday, December 11, 2019 at 7:00 pm, Congregation Emanu-El Synagogue, 1461 Blanshard Street, Victoria V8W 2J3 Dr. Ramm Hering will discuss “Addicts: Why don’t they just stop using so they would stop dying?” Admission is by donation; light refreshments will be served. Medical science has developed a much better understanding of the neurobiology of addiction. Implementing evidence based policies is our best hope at decreasing the effects of the opioid crisis. But why is this such a challenge? About Dr. Hering: Dr. Hering is the Medical Director, Addiction Medicine for Island Health. He spearheaded the development of the Addiction Medicine Consult Service for Island Health and was the driving force behind the creation of a Rapid Access Addiction Clinic in Victoria. Dr. Hering serves as the Victoria Site Director for the British Columbia Centre on Substance Abuse (BCCSU) Addiction Medicine Fellowship program and works as a clinical consultant on various BCCSU projects. Dr. Hering completed BSc and MSc (Neuroscience) degrees at McGill University, followed by his MD at the University of Calgary and a Family Medicine Residency at Dalhousie University. He then obtained a Diploma in Public Health – Health Services Management Stream and completed a Clinical Fellowship in Addiction Medicine at the Centre for Addiction and Mental Health, University of Toronto.
  4. Victoria’s affordable housing crisis puts the bullseye on public land in Fernwood. WITHIN WALKING DISTANCE OF MY HOME is one of my favourite city neighbourhoods: Fernwood. I love its diversity, its heritage homes, its artsy, alternative vibe and lack of pretentiousness. These days its experiencing a lot of community angst over a proposed housing development on lands owned mostly by School District 61 to the west of Vic High. Called the Caledonia, it will offer 154 units of desperately needed affordable non-market housing. The Fernwoodians I know say they have no issue with the “affordable” aspect. Instead they are concerned with its size, the impacts on the neighbourhood’s traffic, the precedent it will set for further development, and the loss of School District-owned land. The developer—in this case the CRD’s Capital Region Housing Corporation (CRHC)—has submitted its development application to City Hall, and is requesting rezoning and Official Community Plan (OCP) amendments, with the hope of a fall 2020 construction start. In total there are five separate buildings, including three-storey townhouse rows, and four- and five-storey apartment buildings, with 109 parking stalls underneath. Artist's rendering of one part of the Caledonia redevelopment proposal The first the community heard about the new Caledonia project was last November when an agreement was announced among the City, CRHC, BC Housing and School District 61 (SD61) to create the large housing complex. This “Letter of Intent” was both an agreement to work out a “land swap” among the players and a vision for the 154-unit housing complex. The land swap would “assemble” a 9,000 square-foot rectangular lot, owned by SD61, but leased for 60 years to CRHC which would build the housing. The City of Victoria would end up owning the Compost Education Centre, Spring Ridge Community Gardens and Haegert Park, all important community spaces currently owned by the School District. It was a big deal. Ownership before (left) and after the land swap. The project would go on the SD 61 land (blue swath, right). (Courtesy of Fernwood Village Vibe) After some feedback from the community, CRHC made changes to its plan, and last summer held an open house for the community. Christine Culham, a senior manager with CRHC, told me, “I do think we’ve been really thoughtful in the way we listened to the community around their concerns.” She mentioned that building heights have been reduced (though there’s still one at five storeys)—and topmost floors of the two higher ones “stepped back” to appear less massive. Neighbourhood traffic concerns led to changes in the configuration of entrances. A building of 1,500 square feet was added to provide community space. Long-time Fernwood resident and Fernwood Community Association board member Dorothy Field emailed me in August, saying, “the proponents, CRHC are treating it as a totally done deal. The Fernwood community is not very happy, so the designers have tweaked the plan a bit with ‘green’ addenda but nothing substantive has changed.” She noted that Fernwoodians are supportive of a new development which provides low-income housing, but “we are distressed at the size, density, and height of this proposal. When asked if the number of apartments could be reduced, CRHC said, ‘No, that’s the arithmetic.’” Culham explained to me that while they try hard to keep everyone happy, the number-one priority of the City of Victoria and the CRD is affordable housing, so that weighs heavily in the balancing of objectives. Building costs have increased 36 percent, she notes, “so it’s difficult to make a property affordable without any government grant or intervention. Right now both the provincial and federal governments are coming to the table with funding…that hasn’t happened in 20 years, so we’re looking to take advantage of those grants; you never know when they’re going to go away.” The Caledonia project has already been approved for provincial funding, partly because of its high number of units. Given the cost of land and construction, the only way to have affordability in the City of Victoria is to create density, Culham continued. “How do we get the best use out of land? Just like the fire hall, building up is the only way we’re going to be able to get that.” In the case of the Caledonia, she says, “I am mindful and I am empathetic to the challenge around change, but I do think that the benefits outweigh the change that is occurring.” Culham, who lived in Fernwood in the past and appreciates its special character, feels the Caledonia’s proximity to Cook Street and its amenities mean its “walkability score is off the charts.” A passionate advocate for affordable housing, she sees the provision of it in the City of Victoria as a matter of fairness and equity. With 61 percent of those living in the City of Victoria being renters—with a median household income of $44,600—the average rent they can afford is $1100 per month. But the average rent for listed vacancies in the City is now close to $1500 per month. So in her analysis, with Caledonia rents averaging $1000, she is building housing for the majority of the population. “Those are the people we don’t hear from, even though we have 1,500 waiting for homes on the BC Housing Registry,” she said. I MET WITH FERNWOOD RESIDENTS Dorothy Field and Trish Richards for a look at the site of the proposed housing on a sunny fall day. They first pointed out to me the CRHC housing already occupying some of the SD61 land. Built in 1992, there are 18 units for families in the attached townhouse structure (also called Caledonia). Only 27 years old, it will be torn down, not just to make room for the new development but, according to Culham, because “it’s a leaky condo.” In 2012, the CRHC was given a remediation estimate of $130,000 per unit. The Canada Mortgage and Housing Corporation defines leaky condos as a “catastrophic failure” of building envelopes, which lets water into the building frame and leads to rot, rust, decay and mould. It has been attributed in part to a building boom in the 1980s and early ’90s, which led to a high demand for workers and materials, and in turn to lower-quality construction and materials. It’s not a stretch to think something like it could happen again, given the current construction boom. Culham told me residents of the old Caledonia will have first right of refusal once the new buildings are complete. Meanwhile, they have been offered alternative units in other CRHC buildings. One current resident, who came by to talk to us as we wandered around, said seven families had already moved out, which seemed premature given nothing had been approved—including the land swap and the rezoning from a combination of “Traditional Residential” and “Parks” to “Urban Residential.” The resident said that due to her special needs, she was having to look at housing out in the Royal Oak area. As we chatted in the sunshine, David Maxwell came by on his bike. He is the chair of Fernwood Community Association’s Land Use Committee. He noted that CRHC has known for years about the problems their tenants have been living with and dragged their feet on remediation of the 18 units. “Why should we have faith CRHC will be able to manage 154 units properly?” he asked. Maxwell and Richards agreed that the first order of business was to let the School Board know they should not be giving up any more school land. Besides the land under the existing Caledonia, much of the lot is “rubble fields” resulting from the demolition of the Fairey Tech school buildings in 2011 (the tech programs moved to a new facility). It was understood by the neighbourhood that this area would provide, once remediated, more green and activity space for the school and community. Eight years later that still hadn’t happened. PERHAPS I SHOULD REMIND READERS that Vic High’s renewal was the subject of a lengthy process of public consultation involving three options for upgrading and necessary seismic work. The community made it clear they preferred the Full Monty, involving seismic and other improvements, as well as creating room for 200 more students and a Neighbourhood Learning Centre. In June 2018, the School Board unanimously supported it. The price tag was $79.7 million. No one was warned, however, “If you choose this option, we’ll have to build housing on school lands.” Yet when the new Caledonia project was first announced last November, and through subsequent consultations, raising needed funds to fix Vic High was part of the rationale. At the end of June 2019, however, the Province came though with $77.1 million in funding for the high school upgrades—leaving SD61 with only $2.6 million to raise. People are now questioning whether the School Board should be entering into long-term leases on Vic High lands when such a small amount could likely be raised by any number of less-invasive means. Chief among those people are Fernwood residents Scott Fox and Corey Kowal. Throughout the fall they’ve been making the rounds of School Board and committee meetings with well-polished power point presentations. The father of two girls who currently attend George Jay Elementary and will likely attend Vic High, Fox’s background as a business analyst is apparent in his presentations. Kowal, like Fox, lives with her family near Vic High. She has a background in strategic planning and operations management with the BC government. Using aerial shots of different local high school grounds, Kowal argued at one SD61 committee meeting that Vic High, after the proposed removal of land for housing, would have less space per child than most other high schools in the district. School green space, research has shown, correlates with improved mental health, safety and school pride, she said, noting, “Once the land is gone, it’s gone.” With an inner-city school like Vic High, where many students don’t have their own back yards, it’s especially important to have green and activity space available. Ministry of Education regulations call for each school in the province to provide a minimum of five hectares of land per 1,000 students. Fox worked out the space left for educational purposes after the land swap to be 4.69 hectares per 1,000 students. Culham disputes those numbers; in CHRC’s analysis, there would still be 5.05 hectares per 1,000 students after the land swap. Either way, of course, it’s very close to the minimum requirement. At an October presentation to the School Board, Fox gave another power point, this one suggesting a lack of due diligence around the land swap. He said that there had been no land appraisals performed by qualified independent appraisers; that no cost benefit analysis had been performed regarding the land swap; and that there had been no internal controls to prevent bias and collusion, as is recommended by the BC Auditor for any real estate asset sale. Fox and Kowal, along with others, have formed the Vic High Neighbourhood Action Group, with a website (www.itsnotsurplus.com) and will host information sessions on November 5 & 6, both 7:30-9 pm at 1923 Fernwood Road. SD61 is holding an open house on the issue on November 12, 6-8 pm at Vic High’s Roper Gym. It is expected the board will vote on the land swap shortly thereafter. THERE ARE NO LESS THAN FOUR levels of government aligned behind the Caledonia project: SD61, CRHC of the CRD, BC Housing, and the City of Victoria. The development package submitted to the City by CRHC includes a 33-page book full of persuasive details about the need for affordable housing, the appropriateness of the site (a “walker’s paradise”), and the project’s many admirable features including energy efficiency, urban agriculture, rain gardens, tot play areas, and a new city “greenway.” In late October, David Maxwell, chair of FCA’s Land Use Committee, was alarmed to learn from a City of Victoria planner that, despite the School Board not having decided yet to go ahead with the land swap, the development application had already moved through all the necessary departments—regarding roads, utilities, sewer, etc—with recommended changes sent to the CRHC. Though the planner assured him “this is the way it’s done all the time,” in Maxwell’s mind, it seemed premature and wasteful. “This is public property, funded by the taxpayers, as are all the City and CRHC staff involved…[They] are wasting all that money before knowing whether it can go ahead.” Echoing others, he says, “It starts to look more and more like a done deal, like we’re all just going through the motions, just playing this huge game.” (It doesn’t help that Mayor Helps and School Board Chair Jordan Watters have made positive comments about the development.) The Fernwood Land Use Committee will soon give the City a formal response on the Caledonia application indicating its lack of support due to the needed OCP and zoning changes, said Maxwell; “We don’t have any five-storey buildings near there.” He believes if such height and density are allowed there, it will set a precedent for the whole area west of the site, over to Cook Street. Fernwood community members know that affordable housing is needed, but have noticed the City hasn’t done much to generate such housing in all the other developments council has approved. As Field pointed out to me, “We also have four large developments approved or almost approved that will add to pressure on existing public infrastructure: Wellburn’s, St Andrews, the former co-housing site [Fernwood Commons at Chambers and North Park], a large new tower at Chambers and Johnson…the City has not negotiated affordable suites in any of these new buildings.” (Going forward, the City’s new inclusionary zoning policy will require 20 percent of all units in larger developments to be affordable.) The task of adding affordable housing, especially in core neighbourhoods, gets more difficult by the minute. Victoria continues to attract those who have wealth—to retire here, to have second homes here, to invest here, causing land values to increase. As Culham pointed out, this makes it difficult to provide enough housing for citizens of modest means—those who work in our nursing homes, shops, offices and cafes. It’s little wonder that once-sancrosanct school lands, churches, and heritage buildings are now being eyed by developers, including those building affordable housing. Perhaps it’s time for neighbourhoods to be more proactive, implementing a bottom-up approach wherein they themselves come up with neighbourhood-supported ideas for increased affordable housing. Websites of all the organizations mentioned above offer more information. Access Caledonia’s development application here. Leslie Campbell is the founding editor of Focus.
  5. Strong sanctions needed for destroying public records At first blush, I thought Leslie Campbell’s editorial was going to be about the Harper government ’s destruction of records. However, the first couple of words dispelled that. But, just as Harper’s heavy-handed governance revealed signs of autocracy, so too do the “Mini Me” governing tendencies of the City of Victoria, Esquimalt, and indeed our current and recent past provincial governments. The desire to hide (or obfuscate) “inconvenient truths” seems to be pandemic to British Columbia; and, if this is so, there is no reason to assume it is not a plague in this entire country. Richard Weatherill As a citizen, my personal experience with Freedom of Information requests to the City of Victoria has been less than satisfactory. In particular I have sought source data for the City’s press releases and media reports regarding short-term rental licensing and compliance reports with very little success. I also draw your attention to a recent change at City Hall. It appears the City of Victoria has removed the email server addresses for its senior management group: Jocelyn Jenkins, Chris Coates, Susanne Thompson, as well as all department heads. The only public emails listed on the City of Victoria website directory are for general information, with the exception of Bill Eisenhower’s email contact, which is for media inquiries. When I spoke with Christine Havelka (Legislative Services) about the inability to contact the Renters’ Advisory Committee (a committee appointed by the mayor), she indicated that council is not seeking input from anyone other than the 12 individuals appointed. This is contrary to the protocol of a similar committee operating under the direction of the City of Vancouver, which has provided their Renters’ Advisory Committee with full information on the committee plus three contacts—an email address for the committee as well as two additional names, telephone numbers and email addresses for a housing staff member and meeting coordinator. It seems that the openness, transparency, and accountability window is being dramatically closed to members of the public. This also comes at a time when the mayor has decided not only to leave Facebook but also close her Twitter account due to too much negative feedback. Perhaps it’s coincidental, but the City’s website changes seem to coincide with your “duty to document”—a critical part of public access to information which is sorely absent in the City of Victoria’s governance model. Victoria Adams Huggett’s greatest hits Thank you David Broadland for your educational rants about the new Blue Bridge. One doesn’t know whether to laugh or cry at the collective incompetence of the “experts” involved, and the lackadaisical approach of Victoria’s councillors. Let’s hope that the renovations, modifications, and quality of work going on at the Bay Street Bridge are superior to those of the new Blue Bridge. I’m sure the Bay Street Bridge will be pressed into service far more often than was ever intended. Jack Clover Water torture I must commend Gene Miller for his last two searing articles: Water Torture (July/August 2019) and Ecocide Cometh (Sept/October 2019). I have read Miller’s articles for years, and at times was lost in the language, metaphor and hidden messaging. These last two articles have laid bare his message, and it is one that all Victorians should heed: without a sense of community, and protection of what Nature we were blessed with when our ancestors (or us) first arrived, this place will become a lego-block duplicate of many other featureless, urban/suburban cityscapes across North America. Victoria is now seen as a refuge for well-heeled refugees from around the world, who can, in his words, enjoy “progressive living”—the life you want for yourself—filled with self-celebration, apotheosis, the happy marriage of intelligence, education and good taste, all of it validated and made worry-free by a terrific income and a gilt-edged investment portfolio. “Living the dream” is a passable colloquial synonym, he concludes. All this worry-free living at the expense of the last few remnants of one of the most endangered ecosystems in the country, and at the expense of the First Peoples who watched those ancestors arrive, and welcomed them. The year 2020 could be, as Mr Miller states, “the year of perfect and terrifying visual focus” given the rapid and unpredictable advances of climate change, and the political drift toward loud and dangerous strongmen running countries around the globe. What tools do we have to face the dark, he asks? I agree with his conclusion: “the intentional practice of community,” and would add respect for and communion with the First Peoples who are still here, and the natural ecosystems that they (and we) will have to depend on, if all else fails elsewhere (and here). Thomas Munson Looking our future squarely in the eye A couple of colleagues and I were talking the other day when one of us said, “We must tell the kids the truth.” We all agreed. The truth is, we’ve missed the window for stopping climate change. As Naomi Klein said on CBC radio (Sept 17), “Climate Change is here, and we have to face what that means.” So what does it mean? It means that before 2100, Earth’s human population will decrease by roughly five billion people from its peak of about nine billion around 2030. Climate change will not be the only cause—starvation, disease, economic and social collapse, and, at worst, violence and war will bring about our population crash. We are rushing like proverbial lemmings towards a cliff, urged on by governments and corporate elites. But there is something we can do. We can go over the cliff-edge with parachutes! I don’t know exactly what form our parachutes might take. They will, however, encompass more democratic governments, and a more equitable distribution of wealth—“more sharing” as Naomi Klein put it. To do this, we must undergo a paradigm shift in the way we think and act. Will we reach that tipping point in time? The current climate strikes by our youth give me hope. Philip Symons Who, me? It seems that every time I read Focus I say to myself, “Best issue ever;” and I wonder how the magazine can continue on this trajectory, but it does. I especially appreciate the in-depth reporting of important political, social, and environmental issues that does not stop with just one article and then move on to the next “newsworthy” item. And I truly appreciate Focus not dwelling on lurid topics of death and destruction, even if they are real, but rather covering such topics with inquiry instead of sensationalism. I tutor science for children, and volunteer at a local elementary school, and so appreciate investigative articles like David Broadland’s “Who, me?” I enjoy delving into the language of science with children; I also like talking politics with them. And so “science curiosity,” the “hunger for the unexpected, driven by the anticipated pleasure of surprise,” as described by Professor Dan Kahan in Broadland’s article, is something I want to practice. More importantly, it is a crucial reminder for me to always check the facts, even if what I read (and pass on) comes from a source so respected that I might just assume “this is true because Dr Suzuki said so.” I worked to re-elect Green Party candidate Paul Manly for my federal riding, and the one thing I count on from Mr Manly is truthful statements about the work we all need to do. I’m very glad to have Focus reminding me to always ask whether a policy is good for the planet, or just good for the party. I also need to know that if it’s good for the planet, party lines can be crossed for cooperation and collaboration, and that means not becoming culturally polarized, but instead converging on the best evidence relating to controversial facts. Susan Yates Your September/October edition was great. It’s terrific having a print alternative to the Times-Colonist. How many op-eds have they run by Gwyn Morgan? Oh yeah, we know about the critical importance of the dynamic, cutting-edge oil industry yadda yadda. Jeez, I never had sleep apnea before. I don’t under....zzzzzzzz. Jonathan Huggett sounds like a primo example of “consultant creep” wherein civil service engineers who should be doing their jobs aren’t. Thus, we pay bloated costs for outsiders, who don’t do much of a job either. At least the scale of the bloat hasn’t reached that in California. There, the LA-Bay Area high-speed rail project (a most worthwhile undertaking, contrary to Elon Musk’s Hyperloop sci fi) has bogged down in armies of consultants tripping over each other while drawing astronomical salaries. I was delighted to read that longtime Liberal David Merner bailed on his party the day Justin Trudeau announced that our taxes are paying for the Trans-Mountain Pipeline. Trudeau is happy to waste other people’s money propping up a lumbering industry that needs to sail into the sunset. But then, Justin’s grandpappy Charley got rich off gas stations in Montreal, so our PM just can’t cut loose from the buggy-whip business. Louis Guilbault Time to clean house Here is a plea for us to raise the bar in the quality and competency of our local politicians in Victoria. There appears to be a worsening trend regarding City of Victoria politicians and their increasing lack of transparency, lack of accountability, and intellectual arrogance. Many Victoria councillors routinely don’t bother returning the respectful, earnest emails and queries of their constituents. Some councillors are on-going media hounds, looking for beneficial PR on certain hot-button issues (such as Climate Catastrophe and social housing) and then go incommunicado when the going gets tough. Victoria council declared a “Climate Emergency” but acts, on a daily, weekly, and monthly basis, as if an emergency doesn’t actually exist. Mayor Helps has tolerated the unbridled abuse of our natural assets by developers, with her strident pro-developer attitudes, including increasingly allowing the bulldozing of existing building stock (some of it historical in nature) and the literal scouring of lots (removing any vestige of carbon-sequestering soils, bushes, and trees, etc.), while at the same time, claiming she cares about dealing with Climate Catastrophe. And she has done nothing to discourage unbridled overpopulation growth in the region, past its ecological carrying capacity. She and council have allowed the homeless population to increase while ineffectively dumping money into the vortex of a black hole with no clear strategy to reverse the plight of the homeless. She has also encouraged densification, which does not address housing affordability. Council has allowed traffic to appreciably increase, while dilly-dallying on expediting a 30-year-overdue mass transit and regional transportation strategy. They have encouraged the development of very costly bike lanes, but tolerated many design flaws which increase, not decrease, safety issues! Victoria, like almost all municipalities across Canada, keeps increasing its property taxes at rates above the cost of inflation, an increasingly unsustainable situation, in financial terms. Our Victoria council never seem to learn from their avoidable mistakes when it comes to tackling significant projects, which always run well behind schedule and well over budget. The city’s adherence to tried-and-tested project management tools and processes is abysmal! Victoria council keeps cost-ineffectively growing its bureaucracy, increasing staff, and acquiring capital assets (including pieces of equipment with low utilization rates). The bureaucracy is peppered with “communications officers.” The organization is top-heavy, with far too many managers in relation to non-management staff. In the three-plus decades I have lived in Victoria, municipal salaries of both bureaucrats and politicians have increased appreciably. As well, Victoria councillors collect their basic salary and then most featherbed it with the remuneration they receive from participating on various CRD committees. The net result is an undeservedly high remuneration package in a bureaucracy which has become increasing non-accountable and non-transparent. Providing “spin” and lots of wheel-spinning, rather than getting the job done, seem to be the major preoccupations of the day. It’s time to clean house. Brad Atchison
  6. TYLER SHAW Wednesday, November 20 at 7:30pm Tyler Shaw is a platinum-selling artist, producer and actor. The Chinese-Canadian released his hit song “Kiss Goodnight” in 2012, and the melodic track quickly hit platinum sales. In 2014 Tyler earned a JUNO Award nomination for ‘Breakthrough Artist of the Year.’ He then went on to release certified gold tracks “House of Cards” and “Wicked,” all from his 2015 debut album Yesterday. Shaw has opened for massive artists such as Shawn Mendes and Alessia Cara, as well as toured with Selena Gomez. The multi-talented artist recently exercised his acting skills as the lead role in the feature film The Meaning of Life, released in summer of 2017. Tyler’s latest single, the romantic "With You," was released in July 2018. Prior to that, he released new songs "Anybody Out There" featuring Amaal Nuux in May, and the top ten hit "Cautious" at the beginning of the year. Tickets on sale Friday, September 20 at 10:00am. Tickets $29.40 Mary Winspear Centre 2243 Beacon Avenue, Sidney BC 250-656-0275 | marywinspear.ca
  7. Victoria Chamber Orchestra Victoria Chamber Orchestra directed by Yariv Aloni presents an all-Bach program on Sunday, November 24, 2:30 pm at Honeymoon Bay Community Hall, 10022 Park Drive, Honeymoon Bay, BC V0R 1Y0. Tickets $20 Adults; $15 Seniors (over 65) and Students; free admission for Music Students. Buy tickets online at www.VictoriaChamberOrchestra.com, by telephone at 250-598-1966 or at the door. Tickets $20 Adults; $15 Seniors (over 65) and Students; free admission for Music Students. All Bach Program: Brandenburg Concerto No. 3 in G, BWV 1048 Concerto for Violin and Oboe in C minor, BWV 1060R with Hollas Longton, Violin and Sheila Longton, Oboe Concerto for Three Violins in D, BWV 1064R with Hollas Longton, Kyungah Chang, Yasuko Eastman Orchestral Suite No. 2 in B minor, BWV 1067 with Lana Betts, Flute Concerto for Two Violins in D minor, BWV 1043 with Hollas Longton, Kyungah Chang
  8. Victoria Chamber Orchestra Victoria Chamber Orchestra directed by Yariv Aloni presents an all-Bach program on Friday, November 22, 7:30 pm at First Metropolitan Church, 932 Balmoral Road (at Quadra Street), Victoria V8T 1A8. Tickets $20 Adults; $15 Seniors (over 65) and Students; free admission for Music Students. Buy tickets at Long & McQuade, Ivy’s Bookshop, www.VictoriaChamberOrchestra.com, by telephone at 250-598-1966 or at the door. All Bach Program: Brandenburg Concerto No. 3 in G, BWV 1048 Concerto for Violin and Oboe in C minor, BWV 1060R with Hollas Longton, Violin and Sheila Longton, Oboe Concerto for Three Violins in D, BWV 1064R with Hollas Longton, Kyungah Chang, Yasuko Eastman Orchestral Suite No. 2 in B minor, BWV 1067 with Lana Betts, Flute Concerto for Two Violins in D minor, BWV 1043 with Hollas Longton, Kyungah Chang This Concert will be repeated on Sunday, November 24, 2:30 pm at Honeymoon Bay Community Hall, 10022 Park Drive, Honeymoon Bay, BC V0R 1Y0. Tickets $20 Adults; $15 Seniors (over 65) and Students; free admission for Music Students. Buy tickets online at www.VictoriaChamberOrchestra.com, by telephone at 250-598-1966 or at the door.
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    The Victoria Mendelssohn Choir Concerts on November 16 and 17 Victoria Mendelssohn Choir directed by Simon Leung presents “A Celebration of Baroque Music – Bach to Vivaldi” with Die Mahler String Quartet. Tickets are $20 each available from Ivy’s Bookshop, Russell Books in Victoria; Tanner’s Books and S.H.O.A.L Centre in Sidney and at the door. Two Performances only: Saturday, November 16 @ 3:00 pm St. Peter’s Anglican Church, 3939 St. Peter’s Street, Victoria V8P 2J9 Sunday, November 17 @ 3:00 pm S.H.O.A.L Centre, 10030 Resthaven Drive, Sidney V8L 3G4
  10. RICHARD THOMPSON with special guest ELIZA GILKYSON Saturday November 2nd Alix Goolden Concert Hall We are very excited to bring be bringing back Richard Thompson to Alix Goolden Hall with special guest Eliza Gilkyson. Richard has sold out his last two performances at Alix Goolden, the latter as an opening guest for Emmy-Lou Harris. Richard has been named as one of Roling Stones "100 Greatest Guitarist of All-Time" and by the LA Times as “The finest songwriter since Dylan and the best electric guitarist since Hendrix” https://www.richardthompson-music.com https://www.youtube.com/watch?v=j0kJdrfzjAg One night only! Get your tickets here: https://www.ticketfly.com/purchase/event/1872921?utm_medium=bks or the Alix Goolden Box Office Saturday, November 2nd, 2019 Alix Goolden Performance Hall Conservatory of Music - 900 Johnson St., Victoria BC Doors 7pm - Show 7:30pm Tickets: $47.50 + service charges
  11. Christmas Concert DieMahler Ensemble At St. Mary’s Church, 1701 Elgin Rd, Oak Bay Tickets at: McPherson Box Office: 1-888-717-6121; Ivy’s Books: 250-598-2713 General $25. Seniors $22.50; Students by donation. Info at 250-658-1167; diemahler4@gmail.com
  12. Monet’s Program DieMahler Ensemble George Corwin, guest conductor At St. Mary’s Church, 1701 Elgin Rd, Oak Bay Tickets at: McPherson Box Office: 1-888-717-6121; Ivy’s Books: 250-598-2713 General $25. Seniors $22.50; Students by donation. Info at 250-658-1167; diemahler4@gmail.com
  13. Greater Victoria Youth Orchestra Yariv Aloni, Music Director Expressive, Focused, Adventurous Meet the Greater Victoria Youth Orchestra – 60 expressive, focused young musicians who bring symphonic music to life! Respected as one of the finest youth orchestras in the country, the GVYO has shared masterworks with thousands of listeners, young and old, in Victoria and beyond. Guided by Music Director Yariv Aloni and a distinguished faculty, GVYO players explore centuries of symphonic style as they build ensemble and performance skills - and lasting friendships. Now in its 34th year, the orchestra brings music to life as only young people can, with talent and enthusiasm, orchestrating joy for themselves and their audience alike. Three concerts at The Farquhar at UVic November 3, 2019 Sunday 2:30 pm BACH Toccata & Fugue, BWV 565 LISZT Fesktlänge (Symphonic poem no. 7) GRIEG Symphonic Dances, op. 64 February 9, 2020 Sunday 2:30 pm CELEBRATING TOGETHER GVYO with the Victoria Chamber Orchestra & Sooke Philharmonic Orchestra SMETANA Má Vlast (My Homeland) April 26, 2020 Sunday 2:30 pm VERDI La Forza del Destino: Overture SIBELIUS Karelia Overture, op. 10 CONCERTOS performed by GVYO soloists Season Tickets: (3 concerts) Adult $66, Senior $54, Student $15, Special Family Rate $150 Available through GVYO Office, 1611 Quadra Street, Victoria, BC V8W 2L5 Phone: 250-360-1121 Email: gvyorchestra@gmail.com Single Tickets: Adult $25, Senior $22, Student $10 Available from UVic Ticket Centre Phone: 250-721-8480 Online: tickets.uvic.ca Greater Victoria Youth Orchestra 1611 Quadra Street Victoria, BC V8W 2L5 250-360-1121 gvyorchestra@gmail.com www.gvyo.org https://www.facebook.com/GreaterVictoriaYouthOrchestra
  14. JOHN CLEESE WILL RETURN TO VICTORIA FOR AN ENCORE PERFORMANCE OF HIT SHOW WHY THERE IS NO HOPE Don’t Miss John Cleese Live on November 4, 2019 Royal Theatre, 805 Broughton St, Victoria, BC V8W 1E5 Ticket information online at www.uniquelives.com Legendary comedic actor John Cleese (Monty Python's Flying Circus, Fawlty Towers and A Fish Called Wanda) will return to Victoria, BC. this fall for a second performance of his critically acclaimed show Why There is No Hope. Full of humour and political insight, Why There Is No Hope sees Cleese put his signature keen-minded, humanistic, comedic observational spin on the dysfunctional world we live in. Tickets for John Cleese’s Monday, November 4 appearance at Victoria’s Royal Theatre are on sale now! Please visit www.uniquelives.com for more information. The most influential and important comedic voice in entertainment history, John Cleese began his current Canadian tour in Halifax on May 5th and will conclude with a sold-out performance in Victoria, BC. on Monday, June 3. The announcement of the additional appearance in Victoria comes on the heels of the 40th anniversary of Monty Python’s iconic film Life of Brian. Cleese was also the subject of a recent CTV W5 feature, making an appearance on Canada's most-watched current affairs and documentary program. Watch the full interview HERE. John Cleese’s Why There is No Hope is a presentation of Unique Lives & Experiences. John Cleese first made his mark as a member of the legendary Monty Python troupe in the 1960s and has gone on to write, produce, direct and star in some of the greatest comedic hits of the last forty years, even receiving an OSCAR® nomination for best screenplay for A Fish Called Wanda. But John is far from your garden variety entertainer. From the beginning of his career he has continually parlayed his enormous talents into advancing the political causes he believes in. In 2014, John released his New York Times best-selling memoir, So Anyway... which shares his ascent in the entertainment world, from his humble beginnings in a sleepy English town and his early comedic days at Cambridge University. For 25 years, Toronto’s Unique Lives & Experiences has specialized in promoting 'live' lecture entertainment, bringing celebrity speakers with diverse opinions, profound insights and fascinating life stories to audiences across North America. From world leaders to political figures and distinguished journalists to Hollywood celebrities, Unique Lives' goal is to showcase inspirational stories with a unique perspective. Ticket information available online at www.uniquelives.com.
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    Aspen Santa Fe Ballet Where We Left Off • Dream Play • Half/Cut/Split Aspen Santa Fe Ballet (ASFB) kicks off the Dance at the Royal Series on November 15 and 16, 2019 with a gorgeous mix of live dance and piano virtuosity with world-renowned pianist Joyce Yang performing live on stage for all the works. Performances: Fri. Nov. 15 • 730pm & Sat. Nov. 16 • 730pm Choreography: Nicolo Fonte, Fernando Melo, Jorma Elo Music: Philip Glass, Erik Satie, Frédéric Chopin, Robert Schumann Duration: 1h 55 min Venue: Royal Theatre (805 Broughton Street at Blanshard) An unforgettable mix of live dance and piano virtuosity with world-renowned pianist Joyce Yang performing live on stage. ASFB tackles the quirky Half/Cut/Split by noted Finnish choreographer Jorma Elo, who collaborated with Yang to bring Robert Schumann’s Carnaval to life. Also on the program are Fernando Melo’s Dream Play set to the music of Erik Satie and Frédéric Chopin, and Nicolo Fonte’s touching Where We Left Off with music by Philip Glass. Pre-show talks start in the lobby 45 minutes before the show. “Yang’s attention to detail and clarity is as impressive as her agility, balance, and velocity.” WASHINGTON POST Season sponsor: Derma Spa Presenting sponsor: Willow Wealth Management of Raymond James Presenting sponsor: LUXE Home Interiors Box Office: 250-386–6121 or https://dancevictoria.com/performances/tickets-1920/
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    Journalist Robert Fisk FRIDAY, NOVEMBER 15, 2019 07:00 PM TO 09:00 PM UNIVERSITY OF VICTORIA, VICTORIA DAVID LAM AUDITORIUM MACLAURIN A144 Hosted by CJPME - Canadians for Justice and Peace in the Middle East CJPME and UVIC Social Justice Studies are pleased to invite you to a lecture in by acclaimed international journalist Robert Fisk. Get your tickets here: https://www.cjpme.org/fisk_vic_2019. ➡ 25% discount if you purchase your ticket online in advance ⬅ Dr. Fisk will discuss the chaos that Trump has provoked in the Middle East, especially around Israel-Palestine, in his lecture entitled, “Tweets and Deals of the Century: How to join the Arab World's sectarian war under the guise of peace.” Dr. Fisk’s talk will be followed by a Q&A panel. For more details visit: https://www.facebook.com/events/953329915002098/
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    It'll Come to Me October 10 - 12, 2019 Theatre SKAM is thrilled to present the world premiere of IT'LL COME TO ME, a one-man show by Christian Martin, playing one weekend only! TIME AND LOCATION October 10-12, 2019 - 7:30pm nightly (doors open at 6:30pm, festival seating - no latecomers admitted!) 849 Fort Street (SKAM Satellite Studio) THE PLAY The harrowing and fully jazzed-up tale of one person’s attempt to make it in the big city, the spiral down, and the redemption. Christian Martin's semi-autobiographical account of his time in New York City kicks off with a goodbye to his old friend Matthew Payne (who is also directing the show), as Christian leaves on a bus with literally $1 in his pocket and a dream in his heart. From there we meet dozens of people who move in and out of his life, all performed by Christian himself and underscored by a jazz duo on drums and trumpet. PERFORMED BY Christian Martin DIRECTED BY Matthew Payne DRAMATURGY Andrew Templeton STAGE MANAGED BY Luanna Bowen MUSICAL DIRECTION & DRUMS Kelby MacNair SOUND DESIGN Olivia Wheeler LIGHTING, SET & PROJECTIONS Logan Swain & Matthew Payne COSTUME DESIGN Nathan Patterson Accessibility: The venue is wheelchair accessible and washrooms are gender neutral. We acknowledge the financial support of CRD Arts, The BC Arts Council, The Province of BC, The Victoria Foundation and The Canada Council for the Arts. Theatre SKAM is grateful to live and create on the Traditional Territories of the Lekwungen Peoples, now known as the Esquimalt and Songhees First Nations. SKAM.CA / 250-386-7526 BUY TICKETS We acknowledge the financial support of CRD Arts, The BC Arts Council, The Province of BC, The Victoria Foundation and The Canada Council for the Arts. Theatre SKAM is grateful to live and create on the Traditional Territories of the Lekwungen Peoples, now known as the Esquimalt and Songhees First Nations.
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    MILES LOWRY LETTERS FROM THE TREES October 1 - 13th, 2019 Opening Reception: Thursday Oct 3 @ 7-9pm Fortune Gallery www.mileslowry.ca www.loveandliberty.ca In its earliest manifestation the Irish Ogham script can be found carved into ancient stone markers in the Irish countryside. It has since been lost, found, saved from obscurity and disputed for centuries. According to the medieval scribes who recorded it, the letters played an important role in the Bardic mystical tradition of honouring sacred trees and plants. The fusion of mark-making and language is at the centre of Lowry’s approach as he merges modern pigments, paper, wax and wood with his own inks (by boiling oak galls or acorns) based on medieval recipes. As such, trees are sometimes both the substance and the subject of the works. In this exhibition Lowry explores Ogham, its symbolism and how trees can portray abstract expressions, reflect hidden communications and inspire spiritual investigations. Join us this October in welcoming Miles Lowry and his new work to fortune gallery. Do not miss out on this new and exciting exhibition.
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    The Radical Influence of Buddhism on Art: Artists Convene in Victoria The public is invited to attend two special presentations, as part of In the Present Moment: Buddhism, Contemporary Art and Social Practice. A Research Convening. These events are organized by the Art Gallery of Greater Victoria in partnership with the University of Victoria, Faculty of Fine Arts, Multifaith Chapel and Centre for the Study of Religion in Society. On Friday Oct. 25 from 7:00 p.m. to 10:30 p.m. the public is invited to The Orion Opening Keynote Lecture, Lecture on Nothing by Kay Larson. Larson is an acclaimed art critic, columnist, and author who wrote feature articles and art criticism for New York magazine for fourteen years. When that job ended, she began Zen Buddhist practice at Zen Mountain Monastery in upstate New York. Larson will discuss John Cage’s seminal text, Lecture on Nothing, first performed at the 8th Street Artists’ Club in New York in 1949. The lecture is written as a piece of music organized around a series of “empty” time intervals or durations. The central statement of the lecture, ‘I have nothing to say and I’m saying it’ reads as an oxymoron at first, but when considered further, reveals Cage’s inquiry into Buddhism. This lecture takes place at the University of Victoria, Phillip T Young Recital Hall, and will be followed by a performance of Cage’s text, scored by Kay Larson, directed by Christopher Butterfield, (Director, School of Music), and featuring local artists and performers. On Sunday Oct. 27 from 3:30 p.m. - 5:30 p.m., the public is invited to attend The Orion Keynote Conversation, Beautiful Trouble: A Conversation on Activism, Art and Buddhism with Suzanne Lacy, artist and Professor¸ Roski School of Art and Design, University of Southern California (Los Angeles) and Jodie Evans, author, activist, co-director, CODEPINK (Los Angeles), taking place at the University of Victoria, Hickman Building, 105 Lecture Theatre. Suzanne Lacy is a pioneering artist in social art practice who was introduced to Buddhism in the mid-1980s. Earlier this year, Lacy was the subject of a major retrospective exhibition at the San Francisco Museum of Modern Art (SFMOMA), titled Suzanne Lacy: We Are Here. Jodie Evans is a cultural producer and global activist who has worked with His Holiness the 14th Dalai Lama, and the Zen master, Thich Naht Hahn, who advocated for a notion of engaged Buddhism during the Vietnam War. Join in a conversation between these two long-time friends, exploring the relationship between art and activism, activism and Buddhism, and the spaces in between. “UVic’s Visual Arts Department is very pleased to be hosting this AGGV-organised event in conjunction with the Faculty of Fine Arts. The world-class calibre of the invited artists and scholars makes this a key event in the study of the immense impact of Buddhist teachings on modern and contemporary art,” said UVic Visual Arts Chair Paul Walde In the Present Moment: Buddhism, Contemporary Art and Social Practice is a multi-phase research and exhibition project led by AGGV Curator, Haema Sivanesan. The project takes a chronological and thematic approach towards examining the impact of Buddhism on art in North America from the post-war period (c1950) to the present. Jon Tupper, Director of the Art Gallery of Greater Victoria added, "the AGGV's collaboration with UVic to present this research convening is of great value, enhancing our community outreach and engaging students and faculty with the Gallery's mission. These two Orion lectures are free and open to all and promise to entertain, provoke and challenge preconceived ideas of both art and Buddhism." Research support is generously provided by The Robert H N Ho Family Foundation, Hong Kong and the Andy Warhol Foundation for the Visual Arts, New York.
  20. ASTROCOLOR “Ethereal joy...Straddling relaxed jazz, funky electronics, vaguely psychedelic rock and spatial dub.” Clash (UK) Date: Thursday, October 24, 2019 – 9:00pm (doors open 8:00pm) Venue: Hermann’s Upstairs 751 View St. (No Minors) Tickets: $15 advance/VJS members/students | $18 at the door (service charges apply at the Royal & McPherson Box Office). Available: Victoria Jazz Society Office no service charges (977 Alston St. or 250-388-4423), and the Royal & McPherson Box Office (250-386-6121 or online at www.rmts.bc.ca) Victoria-based Astrocolor formed in 2015 to perform and record live electronic music, recalling the sounds of Air, Massive Attack, and St. Germain. The band plays on the edges of funky house, breakbeat, jazz and ambient. Astrocolor III, their final in a trilogy of EPs that released in spring 2018, sees the band’s instrumental/electronic roots expand into traditional song formats that provide smooth yet catchy beats, built equally for a night of dancing at the club or chill party vibes at home. In 2017, they grooved their way through festivals such as Rifflandia, Song & Surf, Tall Tree, and Atmosphere Gathering, as well as performances in Toronto (Canadian Music Week) and Seattle (Upstream Music Festival). Most recently, they performed to a packed audience at the Centennial Square outdoor stage for TD Victoria International JazzFest 2019. Look no further for a mood booster, as Astrocolor’s debut at Hermann’s Upstairs will transport listeners to dream-like, funk-laden atmospheres that blissfully inspire mental repose, dancing, and pure, downright fun. Neil Cooke-Dallin DJ, Anand Greenwell saxophone,Andrew Poirier guitar, William Farrant bass, Piers Henswood guitar, Chris Mackenzie drums
  21. The Victoria Historical Society presents a talk, Don’t Never Tell Nobody Nothin’ Nohow: The Real Story of West Coast Rum Running by Rick James, Thursday, October 24, 2019 at James Bay New Horizons Centre, 234 Menzies Street, Victoria V8V 2G7. Doors open at 7:15 p.m. for refreshments and conversation. A short business meeting beginning at 7:45 will be followed immediately by the speaker. Using extensive research, this presentation will explain that rum running in BC was generally carried out in a relatively civilized manner: but still, the business was associated with the odd shootout, hijacking and even a particularly gruesome murder. Rick James is a maritime historian and author of several books and periodical articles. His latest book on West Coast rum running was recently shortlisted for the annual U.B.C.s Basil Stuart-Stubbs Prize for an Outstanding Scholarly Book on British Columbia history.
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    Spot On: Peter Flanagan & Roberta Pyx Sutherland October 24–November 17 at Fortune Gallery The circle is a symbol of completion, perfection and the inclusivity of the universe. Ceramic artist Peter Flanagan and painterRoberta Pyx Sutherland explore these meanings through the joyous repetition of the concentric circular form. Flanagan says, “Early Asian ceramic glaze origins inform my exploration of wild BC clays combined with wood ash.” Sutherland is inspired by the relationships of cosmic patterning and divine intelligence.Openingreception Oct 24, 5-9pm. 537 Fisgard St. RobertaPyxSutherland.com; OkanaganPottery.com; FortuneGallery.ca.
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    Sandra Froher & Allison Brodie: Two Artists with a CollaborativeSpirit Gallery at Mattick’ s Farm: September 30–October 27 In this exhibit, Sandra Froher and Allison Brodie will show one piece ofcollaborative art, but the whole show is a collaboration. The artists state that a collaboration is the ultimate test of placing your ego aside; there is no room for hierarchy, just trust and mutual respect for each other’s process. Froher’s work (shownhere) is heavily influenced by the unknown celestial world and the unseen waters of the ocean.Opening reception Oct 5,1-4pm. 109-5325 Cordova Bay, 250-658-8333, thegalleryatmatticksfarm.com. Shown here: “Deep” Sandra Froher, 24 x 48 inches,ink, alcohol on yupo paper
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    Object Biographies: Artists’ Lives through their Archives Legacy Maltwood Gallery, UVic campus: September 19–January 12, 2020 A printing block. Glaze samples. Pouches of pigments. What can they tell us about the lives, relationships, artworks and practices of the artists who owned them? Bringing together materials from UVic’s Special Collections and University Archives in partnership with the Legacy Art Galleries, Object Biographies is a glimpse into the lives of artists. Curated by Bradley Clements with Caroline Riedel. Opening reception Sept 26, 4:30-6:30 lower level, Mearns Centre for Learning, McPherson Library, RSVP to libraryevents@uvic.ca.250-721-6562. Show here: “The Somerset Zodiac” Katharine Maltwood, painted wood bas-relief sculpture, c. 1930-1940. Image courtesy University of Victoria Legacy Art Galleries
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    Kimberly Kiel: Mark Making The Avenue Gallery, September 19–29 KimberlyKielexpresses herself through a wide variety of subject matter: landscapes andtreescapes; figure pieces andflorals. She loves the creaminess of oil, the opportunity to blend, the fact that it doesn’t dry too quickly. Looking at her work, it’s obvious that colour is a major source of inspiration. She greatly enjoys playing around with the surface on the canvas, getting different layers and textures. 2184 Oak Bay Ave, 250-598-2184,www.theavenuegallery.com. Shown here: “Playin’ it so Cool” Kimberly Kiel, 24 x 18 inches, Oil on canvas
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