Robert Fraser
-
Posts
2 -
Joined
-
Last visited
Content Type
Focus Magazine Nov/Dec 2016
Sept/Oct 2016.2
Past Editions in PDF format
Advertorials
Focus Magazine July/August 2016
Focus Magazine Jan/Feb 2017
Focus Magazine March/April 2017
Passages
Local Lens
Focus Magazine May/June 2017
Focus Magazine July/August2017
Focus Magazine Sept/Oct 2017
Focus Magazine Nov/Dec 2017
Focus Magazine Jan/Feb 2018
Focus Magazine March/April 2018
Focus Magazine May/June 2018
Focus Magazine July/August 2018
Focus Magazine Sept/Oct 2018
Focus Magazine Nov/Dec 2018
Focus Magazine Jan/Feb 2019
Focus Magazine March/April 2019
Focus Magazine May/June 2019
Focus Magazine July/August 2019
Focus Magazine Sept/Oct 2019
Focus Magazine Nov/Dec 2019
Focus Magazine Jan/Feb 2020
Focus Magazine March-April 2020
COVID-19 Pandemic
Navigating through pandemonium
Informed Comment
Palette
Earthrise
Investigations
Reporting
Analysis
Commentary
Letters
Development and architecture
Books
Forests
Controversial developments
Gallery
Forums
Downloads
Blogs
Events
Article Comments posted by Robert Fraser
-
-
Great article; a really great summary of the situation as it has unfolded. I have one question though: where do you get the figure of $580,000 for the municipal support of the theatre? According to the RMTS's own on-line annual reports, the amount the three municipalities (Victoria, Oak Bay, Saanich) contribute to the Royal is only $100,000, and Victoria alone contributes $350,000 annually to the McPherson Playhouse. Is there another $480,000 coming in some form that doesn't appear on their financial statements?
More entertainment, less art
in Focus Magazine July/August 2019
Posted
Thanks for the clarification - I wonder what capital assets they purchase each year with that $480,000? That presentation to Victoria Council is pretty bleak, especially the "survey" - I don't consider a survey of 500 random people with a bunch of obviously leading questions to be very indicative of anything (and I am a firm believer in democracy, too - go figure).
Full disclosure: I am a 29-year veteran musician of the Victoria Symphony and president of a national organization of symphonic musicians, and I have seen this scenario play out in similar fashion across the country. We all pay lip service to how much our communities value resident arts companies, but we provide terrible infrastructure for them to serve the community from. This whole situation feels like a "renoviction" except that we have only one choice of where to move to next, and the opera and dance companies have no choice.
Thanks again for writing this, and bringing the issue back into the public eye.