In this workshop, local artist, curator and filmmaker Eli Hirtle will guide participants through conversation about practices & protocols specific to working with Indigenous peoples and their stories. Eli will share stories of his film-making practice, which he describes as “community-based collaborations”. We will also look at and discuss “ON-SCREEN PROTOCOLS & PATHWAYS: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories”, a comprehensive publication commissioned by ImagineNATIVE film festival in 2019.
Topics will include narrative sovereignty, screen-based protocols & principles, meaningful collaborations and building relationships based on trust, respect, responsibility, reciprocity and consent. As a case study we will watchLekwungen: Place to Smoke Herring(2018), a film created by Eli Hirtle & Brianna Bear for a permanent art exhibition at Victoria City Hall. We will also view clips from the series Eli created for Telus’ Optik Network,Voices on the Rise(2019), to get a sense of how these protocols can be put into practice.
Eli Hirtle is a nêhiyaw(Cree)/British/German filmmaker, beadworker, youth mentor and curator based on Lekwungen Territory in Victoria, BC, Canada. His practice involves making films about Indigenous cultural resurgence and language revitalization, as well as investigating his nêhiyaw identity through beadwork. Current areas of interest are learning how to speak his ancestral language of nêhiyawêwin and mentoring emerging Indigenous artists. Eli currently serves as Curator, Indigenous and Contemporary Art at Open Space Arts Society. Past curatorial projects includeSacredat Victoria City Hall, Pretty Good Not Bad Festival, IndigeVision Film Showcase, Wapakoni Cinema on Wheels Tour andConstellations of Kinin collaboration with the Canadian Filmmakers Distribution Centre and ImagineNATIVE film festival. Film projects includeRESIST: The Unistoten’s Call to the Land(2013),Voices on the Rise(2016 & 2019), andLekwungen: Place to Smoke Herring(2018).